Last week's competition
Featured Entry
Time is a tricky thing to judge. Minutes and hours, now they're easy, clocks and watches, coupled with our attention span, make for easy pickings. Days, well, tougher. Have you ever tried to watch a day pass? It can be done but you'll lose a lot of it. You'll drift, and then come back, and again, happy clock will tell you what you missed, but for the most part you can watch a day. Feel the weight of a day. A day spent watching is a heavy thing indeed, but at least you can be pressed by the weight of it.
Beyond a day though, it all becomes much trickier. To focus on a week, or a month, or a year, to watch it pass, visibly see it move by you, is a fool's errand. How does one judge the movement of time on such scales. The human mind is not built to see that. To focus that long on time. To watch a year pass, we cannot hold our focus so. So, instead, as I have come to realise, between the breaks of focus, between the moments we realise we've forgotten to count the tick of the metronome, the beat of the heart, however one chooses to keep watch, our clever little minds fill in the blank time, the unseen time, with, for want of a better word, 'meaning'. It constructs a narrative of how time was spent. It bundles it up and provides you with a neatly packaged story for all that time you had missed watching. Why, of course, is a different question. Perhaps we have evolved to fix time linearly to give ourselves the sense of urgency of the life insists upon. How else does one respond to the urgency of life without the packages of stories to serve to fill in the lost count, to fill in the moments when we stopped watching time tick by.
Yet, there remains the singular clock of our lives. The only one that truly gives meaning to the bundles of times our mind packages. For we could gather them forever, were we not reminded that each bundle becomes more precious as it gets closer to the last. It is the slow but inevitable metamorphosis into time. Time ossified within us. The greying of hair. Skin which recoils from the world. The spent joints and dimmed senses. I am a calendar. Splayed out, with days roughly crossed out by a hand callous of the days before. I am the true clock, with which to count my days. The mirror, that cursed invention, my clock face. What did my ancestors do without this reminder? Was age something felt alone? Was it a sense? Would we simply know that right time to crawl beneath the house to be alone, to pass? And between those times, between the first morning and the final night, was there simply a moment of being. Cursed are we that, so vain, believed the mirror gave us sight into how the world saw us, not knowing that in its invention we created the only clock capable of truly measuring time beyond days, that could truly capture the length of a life.
It is no surprise then that we spend so much of our later years hiding the tick the clock from ourselves, from the world. To fill in the cracks of time simply to deceive ourselves. We craft the image reflected back to hold back the clock. Health and beauty are not simply what we want to feel better. They are what we need to hold back the clock. The clock we've always had within us. The clock which has always counted down. If each breath, if each heart beat, is simply a next turn of a wound cog, then all I am is wound time, tensed up, slowly unspooling on to the floor, unaware how many turns the blind watchmaker gave me. With atomic frequency, my thoughts count its passing, while my bones click in time with the seconds. The half-life of emotions and ideas once so important demure in slow, radioactive decay. We are all unstable nuclei. I am a wind-up toy.
Why? Why do we slowly transition back into the soft clay from which we came? Definition lost, our colour blends into one, we merge into a great mass of the old, become a symbol, a marker, a queue for the boat. The loss, or perhaps more precisely, the change, the transition, the slow decay of health and beauty, is, or at least must be, a reminder. It is
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Last Week's Winner!
Loveless and Less
Used and used and used and used.
Again and again and again and again.
Intricately shaping my face to suit you.
Scraping and shaving my stache just to your standard.
Tearing my hair into that messy slickback,
All because you once said I resemble Johnny Depp.
I’m the coward of the gym.
Shifting Irons and sweating bullets to keep my figure acceptable.
My autonomy is yours.
God shaping clay, moulding me to be your perfect bitch.
Maybe I’ll starve myself again?
So you compliment the shape of my chest once more.
Should I burn all I own?
So you can keep me in your debt indefinitely.
I want you to watch me liquidate my lust for life.
Eradicate my health for that split second of joy you tease into me.
I stand for hours, naked as a babe in the mirror.
This isn't me. This was never me.
That sour ogre in the reflection stretches, flexes and bends in such obtuse and alien ways.
This isn't me. This was never me.
I’m misshapen and lost in this fleshy nightmare, built from strangers corpse.
But this isn't me. This was never me.
I know we’ll meet soon as I don my boots.
I pull each lace, I pull them as hard as I can, constricting me tighter and tighter into my place.
You’ll pay me no heed. We’ll walk in silence.
This isn't us. This was never us.
Walk a step quicker than me, pave my path through the brambles.
This isn't us. This was never us.
Take my tobacco, take my skins and lighter. Use what you like of mine.
This isn't us. This was never us.
Guide me to the dunes, where the waves once serenaded us to passion
I can stop whenever, I can turn away and leave you, abandon you to the ocean.
Sit close to me. Sit too close.
I want you to steal the heat from my body. Leave me a husk in the quicksand.
Kiss me to the sad songs playing through our shared earbuds,
Criss Crossed between our hearts.
Pull my hair until it comes loose, fistful after fistful as it litters our interlocked legs,
Holding me still and steady.
Whisper me sweet and sour notes as you scratch my back,
Teasing your nails along my flesh until the sands are ruined and stained in sin.
Run your fingers over my scars and play with the wounds,
Feeling the fresh sensation of me beneath it all.
Hold my stubbled cheeks, your eyes locked at the trailing tears leaving a shimmering and shiny path. Welling droplets upon my chin, building up enough substance to pitter-patter across our laps.
Light the joint rolled with the Amber Leaf, some charlatans hash and your sweet malice Blow me kisses through the whirling smoke,
Hold my chest and make sure I take deep, slow breaths of you.
Can we sift and search for love again?
My hands buried deep reaching for the seabed?
Walk out and away, through the marram grass and up and over the ditch, shamefully dragging me with a leash of lies and a cruel collar.
Locked arms and locked hearts.
Let me go, I don’t love you anymore.
I knew it. From the start.
I knew this was always you.
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Featured Entry
Mary kicked at the sidewalk curb, feeling an electric thrill at the pink and white lights that raced up and down the side of her shoe. These new shoes were magic, her mamma said. She could run fast in them, so fast.
Mary jumped up and down, little hops like she was jumping rope and the shoes flashed bright.
Her mama stood next to her, watching little Mary while she talked in a hushed tone to a man who lived in Idaho now, two states away.
"No, Shawn. No, that doesn't work for me. And Mary doesn't want to see you."
Mary began to hum a little tune, one that sounded like Baby Shark but was better, because it was hers. She added a little extra high pitched wooooo's in between each pretend verse.
Suddenly her mamma grabbed her hand, pulling her in the direction of the pharmacy that read 'algreens', the neon W burnt out forever ago. W: Mary knew that letter. Her mamma told her it was an upside down M, and Mary pictured her name being something different when she somersaulted or rolled down a hill, the letters tossing and turning around just like her body did, forming new and strange words she didn't know yet.
They hurried in to the store, like they hurried everywhere, Mary's small lightning bug feet skipping to keep up. Turning down her favorite aisle, Mary felt her heart float, and she pictured the red Valentine's day card she'd made in school the other day go 'ba-bum, ba-bum' inside her chest. Lights came from behind every beautiful, colorful package. Fancy pretty ladies stared back at her, teeth in white rows and lips red like a stop sign, red like an apple, red like her wagon.
Her momma's feet stopped in front of her, and Mary was face to face with a beautiful row of glittering eye shadows. These ones were in shades of blue, green, purple. She reached out to touch them, to get a better look at their starry surface but her momma yanked her hand back.
"No, Mary."
No, Mary, no Mary, noMary. Some days nomary felt like her actual name. She hummed the ABC's to herself.
Far above her, her momma picked out the lip gloss and mascara she wanted, cheap but not too cheap, bold but not too bold.
They hurried to the cashier and then hurried home. Hurried through dinner--chicken nuggets for Mary, white wine for momma. The doorbell rang, and there was Grammy! Grammy, whose hugs were the best and always told the most fun bedtime stories. She dug around in the pockets of her puffy green coat, the only one Mary ever saw her wear, and passed her a butterscotch candy. Mary nabbed it and ran away, squealing with delight,. From a distance she heard, "I told you not to give her that shit, mom. I don't want her turning into a fat kid like half her classmates."
Her grammy scoffed, and Mary could picture the rolled eyes. "I'm not the one who feeds her chicken nuggets every night, Laura. A butterscotch candy won't make a difference."
"It's all she eats, mom. I can't get her to eat anything else," her momma's tone sharpened, like it had when Mary had accidentally knocked the fancy flower pot over and it had shattered. "I'll be back in four hours."
The door slammed, and Mary looked down into her little hand at the beautiful gold butterscotch candy and felt her tummy fill with guilt. She didn't realize her momma would be mad that she'd taken the candy. Suddenly she didn't feel like eating at all.
The rest of the evening was spent in the living room, Grammy watching Oprah while Mary played with her Barbies. The Barbies in Mary's land solved crime, floating around the living room investigating missing puppies and stolen newspapers, their long legs and permanent smiles convincing imagined neighbors to tell them secrets.
At bedtime Grammy told a story of a princess, one who got locked up in a castle by a wicked witch who was jealous of the princess's hair. The princess won, in the end, she escaped from the scary witch and married a handsome prince.
Images of a beautiful princess running through a castle in her long, pink dress floated through Mary's mind as she drifted off to sleep.
A crashing noise woke her up, and her room was dark and so was the world outside her window. Mary was not used to this, and her heart sped up.
"Momma? Grammy?" the words came out in whispers. Mary shoved her head under her blankets and grabbed Miko, the stuffed racoon that slept with her every night.
The air under the blankets grew warm with her breath, and Mary listened to the quiet house. Then, footsteps, her door opening, someone sitting next to her; her heart beat out of her chest.
"Mary, honey." It was her momma. A cool feeling of safety fell over Mary and she peaked her head out. Her momma looked strange in the dim light; messy hair and streaked lines on her face. She smelled funny.
"Momma?"
"Mary, the date was a bust. He was a rude prick and was ten years older and thirty pounds heavier than his profile picture. And he was the one who accused me of false advertisement, the bastard. My pictures are only from a year ago."
Mary stayed quiet. Her momma was talking loud, the words coming out weird and wrong and slippery.
"Your dad and I met when we were so young, and I gave him all of my youth, all of my beauty. All of my healthy years before I had you. Now I'm just an old hag with a kid and nobody wants that."
Mary felt tears sting her cheek. These words sounded mean, and it seemed like whatever happened to her momma must have been her fault.
"I'm sorry, momma."
Her momma leaned over her and kissed her forehead, then left; the funny smell almost overpowering and then gone.
A wretched feeling grew inside Mary. What had she done? She pictured herself like Barbie, trying to solve a mystery. How could she be better?
She slipped from her bed and walked across the hall to the bathroom, stepping up onto her stool to look into the mirror. Without the light, the vague shape of a monster girl stared back at her. Mary pinched her cheeks, poked her tummy, barred her teeth, looking for the part of her that was wrong. It was somewhere, it had to be. She just needed to figure out where so she could fix it.
She would be better. Tomorrow she'd find that butterscotch candy and throw it away so she wouldn't be like those fat kids at school and she'd learn to smile like those pretty fancy ladies at the store her momma liked. She'd float around the world like Barbie. She would be good, and her momma would be happy, and things would be ok.
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