'Are There Rules?'
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Recently, the word has taken on new life – literally, in the form of AI. As John said in Genesis, ‘In the beginning was the Word, and the Word was with God, and the Word was God’. In the media constantly humans are worried, or not worried, or trying to get attention or money for column inches, about this creation of a knowledge-being, a communication-lifeforce, taking from and reassembling information to present to its human creators and compadres, or on which to base decisions for actions.
Just when it looked as if the written word was increasingly injured, suffering and off sick sometime in the early 2000s, with levels of literacy low, libraries underused, and visual media increasingly taking over, it received an unexpected boost from the digital world. Emails, text messages, and comments on written media such as Twitter, became paramount, and everyone needed to be able to write and respond to at least some basic level. Voice calls are now increasingly unpopular in comparison with written word-to-word communication.
I asked one of the major AIs (alongside myself, with my rather prescient initials of AI!) to write something creative in response to ‘Another Creation Myth’. I include what it wrote at the bottom for you to refer to.
The Song of Creation
Before time, there was only Silence. A vast, empty expanse, a void where nothing existed. In this stillness, a single note hummed, a vibration so subtle it was almost imperceptible. It was the seed of creation, a primordial sound.
From this note, a cosmic being emerged, named Lyra. Her form was made of starlight and melody, her essence a symphony of existence. Lyra yearned for company, a chorus to harmonize with her song. With a thought, she willed the universe into being.
She plucked strings from the cosmic harp, and from each note, a celestial body was born. The deep, resonant basslines formed the sturdy foundations of planets, while the soaring trebles became distant stars. The rhythm of creation pulsed through the cosmos, giving birth to galaxies, nebulas, and black holes.
Life, too, was a melody composed by Lyra. She breathed her song into the cosmic dust, and from it emerged the first beings. They were creatures of sound, their bodies vibrating with the harmony of the universe. They lived in harmony with the cosmos, their lives a continuous dance to the music of creation.
As time passed, Lyra’s song evolved. New notes were added, harmonies deepened, and dissonances appeared. The universe expanded and changed, a cosmic symphony in constant motion. But Lyra remained the eternal composer, her music the heartbeat of existence.
And so, the universe continues to sing, a breathtaking melody of creation, a testament to the power of a single note in the silent void.
Would you like me to expand on this myth, or perhaps create another one?
Of crossings: one, and then another,
over a fisherman's net of water, steel-coloured,
beneath the high and secretive grasses.
Here, the bare cypress trees are wailing figures,
thrown from the banks, their hands
scraping at the silent faces of the sky,
dressed in grey tatters.
Are there rules of grief?
This home is never still.
The water reaches up, a constant taking.
There are days I cannot find myself
between the steps of my parents' porch
and the long, sighing descent of afternoon rain.
Each departure feels absolute.
Time accelerates in my absence,
so now she does not recognise my face,
and the house sinks deeper
into the unkempt, hushed green.
How much remembrance can a vessel hold
before it changes cargo on the wave?
How long can a man at sea
bear the name of husband
before he is simply a man who is lost?
Between this shore and what is not,
I approach, as all strangers do,
to knock and wait upon the threshold
for the stranger who will answer.
Are there rules? Only the water's claim,
The moss that teaches letting go,
The slow, sure sinking of a name,
And that each coming is a kind of woe.
The only rule: there is no coming back the same.